A Different Kind of Festival in “The City Different”
The Festival draws inspiration from its namesake hometown, which is famously and affectionately known as the City Different. And things are different here, both in Santa Fe and at the Festival.
Our approach to concert programming is different. It’s unusual to have a composer as Artistic Director, and Marc Neikrug ‘composes’ each adventuresome program like a piece of music. And while you’re sure to hear many familiar favorites each season, the Festival is also a major showcase for contemporary composers, having commissioned and premiered over 100 new works to date.
The way musicians play here is different. Santa Fe is a mecca for the world’s best artists, who view it as a special place where they get to perform repertoire they don’t get to do elsewhere and play with musicians they don’t get to play with elsewhere.
The natural beauty of Santa Fe is singular, and the SFCMF’s two concert venues have a unique quality to them, particularly the St. Francis Auditorium at the New Mexico Museum of Art, where our first concert was held in 1973. St. Francis was built in 1917, but it feels like a 17th-century church.
And the audience experience is different. People come here to connect with Santa Fe’s history and creative community, and there is so much musical variety from which to choose, which is possible because SFCMF has the longest season of any American chamber musical festival.
Our Mission
“The mission of the Santa Fe Chamber Music Festival is to bring together the world’s finest musicians to perform chamber music in all its forms, build a broad, knowledgeable audience of all ages, advocate for contemporary music through performances and commissions, provide diverse educational opportunities, and enhance the cultural environment of Santa Fe and New Mexico.”
Vibrations in the Air: The Santa Fe Chamber Music Festival – 50 Years
History
The husband-and-wife duo of pianist Alicia Schachter-Rich and music producer Sheldon Rich were visiting Santa Fe from New York City when they got the idea to create an international chamber music festival in the high-desert city with which they’d become enchanted. Since its start in 1973, the Festival has been a magnet for musicians and music lovers alike.
Festival Commissions
The Festival brings new music to life by championing living composers, from the most important and influential to the most intriguing up-and-comers. Since 1980, we have presented at least one commissioned work almost every year.
Explore the 2025 Season
MOZART & TCHAIKOVSKY
MOZART & TCHAIKOVSKY
Mozart Flute Quartet in D Major, K. 285 (1777) Edgar Meyer String Trio No. 1 (1986) Tchaikovsky Piano Trio in A Minor, Op. 50 (1881-82)
BAM!! Insights on the Brain & Music 1 of 4
BAM!! Insights on the Brain & Music 1 of 4
From Melodies to Memories Petr Janata, PhD Professor of Psychology, Center for Mind and Brain, UC Davis
MOZART & TCHAIKOVSKY
MOZART & TCHAIKOVSKY
Mozart Flute Quartet in D Major, K. 285 (1777) Edgar Meyer String Trio No. 1 (1986) Tchaikovsky Piano Trio in A Minor, Op. 50 (1881-82)
GEORGE LI PIANO RECITAL
GEORGE LI PIANO RECITAL
Debussy Images, Book I (1901-05) Mussorgsky Pictures at an Exhibition (1874)
BERWALD SEPTET
BERWALD SEPTET
Schulhoff Concertino for Flute, Viola and Double Bass (1925) Berwald Septet in B-flat Major (ca 1828)





